Skip to main content

Posts

Featured

C7.1 Development of Music Notes and examples

 1. Renaissance lute John Dowland Flow My Tears Used Harmonic Minor 6 double courses and one single course Came back from the Crusades: El'Oud 12 BAR BLUES C/// C/// F/// C//// F/// F/// C/// C/// G/// F/// C/// C/// Uses I IV and V also uses the Dominant 7th to add bit of spice/Jazziness and a blue note form the Blues/Pentatonic scale Sister Rosetta Tharpe - Stand By Me Lord R&B and SOUL Soul Stirrers - 1955 adds in a minor 6th, eg. C, Am, F, G - beginning/similar to a 4-chord turnaround indicated by the major relative minor Vamp in the verses C= CEG Am = ACE One-note difference; easy to go to the relative minor. Use Roman Numerals for Chords Use Arabic numbers for notes J.S.BACH  Arpeggiated Chords Improvising around chord sequences Tension and release Jazz development and influence Bluegrass - folk + Jazz impro

Latest Posts

Drum Recording Session for the Shalaings Album with James Packer

FRIDAY OFF THE CUFF PERFORMANCES

MOBO and Banjos

Personal Project Nuggets!

Mossflower Second Album - Mastering for Vinyl!

The Shalaings

Stylistic Song Example: West Coast Rock

Useful Bass Techniques - An example of how to produce a simple development blog....

Restoring a Djembe